Your Search for the Perfect Oboe Reed
Monday, November 12th, 2007This might sound crazy coming from someone that owns a reed making business,
but the best reeds for you are the ones you’ll make yourself.
At MKL Reeds and Oboe:Space, we get many questions about finding the ideal reed
and what we think the “best” scrape is.
As an oboist, you’ll always be striving to make better reeds. But without sounding
too zen… the answer is already in you.
What you need in a reed is unique and depends upon you, your personality and the
way you play. There is no “best” or “right” reed for everyone, no matter who you are.
Even when you make your own reeds, your own definition of the ideal reed should
change and evolve with the musical situation you are in.
There are a few qualities that MUST be present in a reed, no matter whose it is or
where you get it, or even what “kind” of scrape it is.
A good, functioning reed of any kind RESPONDS and is STABLE.
When those 2 core qualities are present, the other benefits that come along for the
ride are plentiful. In my opinion, having response and stability (most often) takes
care of pitch and even results in helping produce a respectable tone because the
reed is both easy to play and is holding together properly.
Before I think or do any kind of detailed scraping, however, my reeds must have
these core qualities. It must respond when I want it to and it must hold together no
matter where in my mouth I put it or how I choose to blow. Getting to this stage of
the game in reedmaking takes skill and practice, but is pretty much the same from
reed to reed (assuming I continue to use consistent materials, like shape and gouge,
and also that your gouge is good and centered).
I don’t know if other reedmakers actually think of reedmaking this way, but I would
venture to guess that even without thinking about it, these are the core qualities
“everyone” goes for initially.
Thinking about RESPONSE and STABILITY first keeps me focused. I strongle
recommend not going for any more “detail” until you have these 2 qualities in your
reed. This will make sure that you have a strong foundation for a good, consistent,
dependable reed. These are the reeds that we strive to sell to our customers at MKL
Reeds.
Now that we’ve covered the basics, things can get more personal…
The “best” reed for you enters next, when you start applying your own personal
tastes, preferences and habits. Unless you find someone who plays JUST like you do
and has exactly the same oral physiology and uses their air the exact same way you
do (you will never find that person), then the “best” reed for you is the one that you
make for yourself.
It’s that simple.
Commercial reeds satisfy the basic needs of oboe players, but in most cases can’t
don’t and shouldn’t go beyond that. I won’t argue that you may find some really
great reeds for yourself out there, but I’d still say that even the great reeds you find
could be surpassed with your own reedmaking efforts.
So beyond response and stability, what goes into making not just a good, but a
really great reed? We’ll save the importance of a good gouge for another time,
because that is a big topic. But besides having a great gouge, (which in itself is a
quest and an art) you need the shape that works for you.
There are tons of things to consider when choosing a shape, and you’ll only find
what’s right for you through experimentation.
The right shape for you will “fit” with your gouge and offer you things in a reed that
you might never have thought about. You might discover that what feels really good
to YOU is to have a reed that is slightly wider, allowing you to feel slightly “under” at
first. Then you find either you like that feeling because your air gets you up to pitch
perfectly, or you might make a note of this and use this shape for making the “best”
reed for playing with that church organ pitched at 438.
You might find a gouge/shape combo that makes amazingly focused, smallish reeds
that are “best” for chamber music. There might be yet another combo that makes
the most perfect low-register reeds for that second-oboe audition.
The possibilities are endless, and this is only one aspect of the freedom you have
when making the best reed for you. Finding a gouge/shape combo is very individual
and specific to you and your tastes.
Other qualities that change from person to person are how large the opening of the
reed is and how much is scraped out of different areas of the reed. Of course, this
all comes back to the different physical attributes of each person. Think of all the
obvious differences you see from one oboist to another, like height, stature, age,
etc.
These differences are important when choosing the best reed for you. Not to
mention the many difference you can’t see, like the palate, tongue or position of
teeth. These are differences that make every oboist sound and play differently.
Another important thing that determines the “best” oboe reeds for you is your
instrument. You might think, “an oboe is an oboe,” but it is really a bit more
complicated than that.
When people ask what the best reed is for them, you can’t possibly know the age/
quality/type of instrument they are playing on.
I do pretty much stand by my belief that “a good reed is always a good reed,” but
there are certain qualities of an oboe that necessitate certain qualities in a reed.
You’ll find it rather hard to find any reed that “responds” on an oboe that is really
out of adjustment.
Again, who better to make a reed for your oboe than YOU? No one else deals with
the trials and tribulations of your oboe everyday, so how could anyone else make
the best reeds for it?
Although it is hopefully pretty easy to find and/or make yourself a decent reed,
there is so much more opportunity available to you when you start to make your
own reeds and experiment with what you need, and what your instrument may
require as well.
Reedmaking is truly an art, and like any art, it is up to the artist to mold and shape
it.
Oboist and online entrepreneur Maryn Leister helps beginner and professional
oboists to be more productive and have more fun on the oboe. She publishes the
weekly Oboe:Space newsletter and gives away more FREE oboe reed tips than she
can remember with her Reed Guru service.
Sign-up for the Oboe:Space newsletter and start getting your FREE oboe reed tips
now at http://www.oboespace.com